My Painting

In a group of Iranian paintings of the Safavid period that lack perspective and a clear way to understand the work and do not allow the audience to enter the painting space. Through the topological space, the relationships in the painting can be obtained. This is a kind of geometric imperceptible space of the Euclidean type, invented in the eleventh century of the lunar/seventeenth century by the German mathematician Gottfried Wilhelm Leibnitz, influenced by Cartesian logic, to create mental and imaginary spaces.

We see this topological space in the figures of men and women in the arrogance of the 11th century of the lunar / 17th century. If we consider the three main forms in art, namely triangles, squares and circles, a single form, then the male and female present in Iranian paintings are considered not based on gender, but humanity. If we pay more attention to the arrogance, we find that the location is not clear. The audience does not see the place, but only the silence and the simple screen.